“Trip the Light Fantastic” is about spiritualism on the highest level. “The Barbarians” was the final addition to the album. But when faced with the tribulations of our man-made society, the self becomes damaged working within the confines of such. When we are brought in to this life, the soul is perfect. “Broken Bells” is about losing our primal innocence as we face the world. This is the only track on the album that is not part of the overlying narrative… or maybe it is. It is a reminder that we all have independent thought and the ability to follow our muse, whenever and however. But “Heat Above” is the idea of human utopia. The album is mostly comprised of the challenges that humanity faces, always with an undertone of hope. There is no chance for the misinterpretation of “ascending to the stars as one.” Though it starts the album, the narrative of The Battle at Garden’s Gate would conclude with “Heat Above”. Our review of the album can be found here. Stream the entire album and read the band’s track-by-track breakdown below. In the track-by-track rundown of The Battle at Garden’s Gate, the band offers details into the meaning of the album’s 12 songs, which focus on themes of hope and optimism. Josh Kiszka has never been a fan and he didn’t want it to grow into a full song, even though his brothers loved it.Editor's Pick Greta Van Fleet Talk New Album, Musical Evolution, and Opening for Metallica One song that may spark some intra-band debate playing live is “Runway Blues,” that weird song fragment. And so we get to take people on a whole new journey.” “It’ll be really fun to play more of this record live because the way that these songs are structured there’s a lot of room for improvisation,” says Jake Kiszka. The band’s Starcatcher World Tour kicks off Monday in Nashville at the Bridgestone Arena, with stops at Madison Square Garden in New York, The Kia Forum in Los Angeles, TD Garden in Boston and Allstate Arena in Chicago. Kiszka’s post came after Tennessee legislators passed a bill attempting to ban drag shows on public property where minors could be present, as well as another signed in March that bans gender-affirming healthcare for children. Members of the band moved to Nashville at the start of the global shutdown and that has led in part to Josh Kiszka publicly coming out, writing in an Instagram post this month that it is “imperative that I speak my truth for not only myself, but in hopes to change hearts, minds, and laws in Tennessee and beyond.” The singer declined to talk about his decision to The Associated Press. “It’s just about texture, texture, texture - moving you dramatically to a different world, not only through the feeling or the emotion of what’s going on musically, but also the sounds,” says Sam Kiszka. In fact, they experimented with phaser pedals, alternative tunings and accessories like a B-Bender. That’s not to mean Greta Van Fleet, whose name was inspired by the octogenarian bluegrass musician Gretna VanFleet, threw away any equipment. And I think it’s also the record that we wanted to make at this particular time right after the pandemic, to sort of like juice the room up a little.” “So this this is a sort of a love letter to minimalism in a way. “Some of the objectives on ‘Starcatcher’ was to really focus on the individual instruments being played as opposed to something like ’The Battle at Garden’s Gate,’ the previous record, which I think is very, very layered,” says Jake Kiszka. This time Dave Cobb produced - as he has done for Chris Stapleton and Brandi Carlile - and he took the guys back to their roots as a live band, recording all the time to capture lightning in a bottle. Their last album, “The Battle at Garden’s Gate,” had more elaborate arrangements, layers and chord progressions, lots of instrumental sections and strings under the guidance of super-producer Greg Kurstin. The final product is a soaring, cinematic anthem, with Josh Kiszka wailing some of his best lyrics to date: “I’ve caught the wind in a kite of dreams/In a flight of seams/Like freedom sewn/And the people roar/And the people soar.” “I always find that the longer the song is that we’ve got sitting on a shelf, the better it turns out in the end,” says Jake Kiszka. It kicked around in various forms over the years. The seeds were first planted in 2016, with Sam supplying the original chords for the chorus and Josh a melody. “Sacred the Thread” was one of the first songs the bandmates agreed had to be on the record and which has hit No. “I think that our ability to work with each other just keeps becoming more and more elevated and that keeps evolving.” “This is definitely some of my favorite material and some of my favorite songs that we’ve written together,” says Sam Kiszka.
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